Communication Specialist
Lover of creativity, beauty, and words that linger.
As a creative writer, I seek to capture stories that reveal life in all its richness and complexity. As an editor, I refine feature narratives for lifestyle and fashion publications across both print and digital platforms, with careful attention to voice, structure, and clarity. As a communications specialist, I have cultivated a strong understanding of storytelling across many forms, blending creativity with strategic communication. My work spans a range of mediums — from feature writing and editorial storytelling to branding copy and academic research — each shaped by thoughtful intention and a deep appreciation for meaningful communication. Whether developing a publication from concept to completion or fine-tuning a single sentence, I believe every word and every edit should serve a purpose.
Lets get creative!
-Savanna
Table of Contents
No. 1 Editor-in-Chief, Woodstock City Lifestyle Magazine — As Editor-in-Chief, I thrived in the pace of constant decision-making — balancing editorial vision, client expectations, and production deadlines with a clear creative point of view. I shaped features, directed photography, designed layouts, and defined the visual and narrative tone of each issue, always working to keep the magazine cohesive and elevated. I also managed writers, photographers, and client collaborations, translating local businesses into refined editorial storytelling that felt both intentional and visually sophisticated. I thrived in the pressure — the fast decisions, the creative problem-solving, and the responsibility of making every page feel beautiful, aligned, and fully realized under tight timelines.
No. 2 Creative Writer & Editor, Preserve Magazine — Writing and editorial selections from Preserve Magazine, where I wrote the majority of the magazine’s content while also leading extensive editing across features, interviews, brand narratives, and editorial copy. I was deeply involved in shaping narrative journalism pieces — many developed as long-form, in-depth storytelling — while refining structure, tone, and cohesion across the publication. This work strengthened my ability to balance voice with vision, and storytelling with editorial precision.
No. 3 Fashion Brand Copywriting, Yellow The Label — Selected excerpts of brand messaging and creative copy for Yellow the Label, focused on building voice, shaping identity, and translating brand energy into language that feels intentional, elevated, and emotionally connected.
No. 4 Feature Writing, City Lifestyle Magazines — Long-form narrative journalism and editorial features written for Boulder Lifestyle Magazine and Cherry Creek Lifestyle Magazine, centered on storytelling, profiling, and capturing the culture and character of the communities I was writing within.
No. 5 Detail Editing, Virtuous Magazine — Editorial samples from Virtuous Magazine showcasing my line-editing process, with a focus on clarity, rhythm, and narrative strength. Included is also an editorial letter that reflects how I approach feedback — big-picture, collaborative, and rooted in strengthening both voice and structure.
No. 6 Academia, Master of Arts in Mass Communication — Graduate-level research writing developed during my Master of Arts in Mass Communication, focused on long-form academic analysis, argument development, and communication theory — balancing research depth with clear, structured storytelling.
No.1 Editor-in-Chief.
Woodstock City Lifestyle — I built this publication from the ground up and carried it through six full issues from first idea to final print. This role was truly all-encompassing: I shaped editorial direction, wrote and developed features, guided brand storytelling, and set the overall tone and narrative of each issue. I directed photography, planned and conducted interviews, designed layouts, and made creative decisions that tied every page together visually and editorially. What I loved most about this experience was how hands-on it was — every detail, every spread, every story passed through my creative lens. It taught me how to hold both the big picture and the smallest detail at the same time, and how powerful it is when a publication feels intentional from cover to cover.In addition, I managed a team of writers and photographers, overseeing assignments, edits, and creative direction to ensure consistency while still allowing each contributor’s voice to shine. I also worked directly with clients and local businesses, helping translate their brands into visually compelling, editorial features that elevated their presence within the magazine. Each of the six issues is linked below, along with a selection of some of my favorite featured pieces I had the opportunity to create and shape.
No.2 Creative Writer & Editor.
Writing and editorial selections from Preserve Magazine, a publication project that allowed me to fully immerse myself in the creative and editorial process. I wrote the majority of the magazine’s content while leading extensive editing across feature stories, interviews, brand narratives, and editorial copy, shaping each piece to feel cohesive, intentional, and engaging. One of the most rewarding aspects of this work was developing a consistent voice across the publication while still honoring the individuality of each story and contributor. From refining structure and tone to crafting compelling narratives and overseeing final polish, this project deepened my passion for collaborative storytelling and thoughtful editorial creation. Included in this section are the magazine cover and a selection of pieces I thoroughly enjoyed working on, including the cover story — which I interviewed, edited, and developed from concept to completion — along with Q&As, feature profiles, and the masthead page highlighting the publication’s writers, editors, and contributors.
I am genuinely grateful to be part of the Preserve team, and right now I’m deep in a major piece for the next issue—building it out piece by piece, letting it take shape as I go.
Check out Preserve’s website to see all the exciting things happening and what’s coming next.
No.3 Fashion Brand Copywriting.
Words are imperative to branding — they should move seamlessly with the design and feel completely aligned with the world a brand is creating. Yellow the Label, featured in Preserve Magazine Issue No. 1, is a fashion line I wrote branding copy for with the intention of making each garment feel elevated, wearable, and tied to a specific mood and moment.This branding feature captures the feeling of planning a fun weekend away — the kind where getting dressed feels exciting and effortless, without ever having to ask yourself, What should I wear? Through thoughtful storytelling and intentional language, the goal was to create a narrative that felt aspirational, feminine, and naturally connected to the brand’s visual identity.
No. 4 Feature Writing.
At heart, I’m always drawn to storytelling that feels human, immersive, and emotionally honest. As a feature writer, I’m not only interested in answering the who, what, where, when, and why — I want stories to feel alive on the page. The kind that hold someone’s attention a little longer, reveal something meaningful, and stay with the reader after they’ve finished.This feature piece was published in Cherry Creek Lifestyle Magazine’s November 2021 issue and explores creative artist Topher Straus, his connection to nature, and the way art shapes his perspective and process.Also included in this section are additional feature stories and editorial pieces published in Cherry Creek Lifestyle Magazine and Boulder Lifestyle Magazine, reflecting my love for narrative journalism, culture-focused storytelling, and thoughtful profile writing.
No.5 Detail Editing.
As an editor, I care deeply about the details — the rhythm of a sentence, the clarity of a thought, the feeling a story leaves behind. My approach to editing is intentional and collaborative: refining and strengthening a piece without ever losing the heart of the writer’s voice. To me, editing is less about changing a story and more about helping it become fully realized. For Virtuous Magazine Print Issue No. 4, I expanded and refined the “Letter from the Editor,” titled A Letter to the Ambitious Soul, adding richness, structure, and emotional depth while preserving the intimacy of the original piece. I’ve always loved the role a Letter from the Editor plays within a magazine — it quietly sets the emotional tone for everything that follows and offers readers a glimpse into the heart behind the publication. I also included an editorial letter written to a contributing writer as part of my developmental editing process, created to clearly communicate big-picture edits while guiding the piece toward its strongest and most cohesive form. My approach to editing balances honesty with encouragement, always grounded in thoughtful communication, collaboration, and deep respect for the creative process. In this section are examples of my line-editing and developmental editing work, showcasing the level of detail, care, and intentionality I bring to every story. Because truly, the smallest edits are often what shape the strongest narratives.
Dear writer,
I am Savanna Jaggears and I am the lead editor for Lifestyle Magazine. Included are editorial suggestions for your article concerning female coffee roasters.
Upon reading this article, my eyes were open to the unique way women operate in the production of coffee. The research is not only thorough, but very interesting. For example, the information on page 1 showcases women's interest in their desire to give back to organizations and how they seek the production of the specific type of bean, coffee arabica. Well done!
I did have some challenges with this piece. There are a variety of quotes and different stories showcased in this article which is great. However, because of this there needs to be a more cohesive narrative attached to the quotations so that readers are not just reading a giant list of quotations. In addition, a lot of the introduction to the facts and citations are choppy. Overall, the quotations need to be better integrated so that the story flows seamlessly with the surrounding work.
In addition, consider the reader’s point of view. There seems to be no expounding upon why this story is important and we lose the core topic. This article has value because it is critical to have women contributing to our multifaceted palate of our favorite coffees. That is the crux of this message and this needs to be defined in the beginning of the article. Sharpen the article’s sentence structure to help guide readers through the compelling facts you have researched.
Lastly, the voice does not match Lifestyle Magazine’s positive tone. The current voice gives readers a distaste for men’s approach to coffee production. The goal here is to not tear down men in the coffee industry, but to indeed highlight the fascinating and unique work of women contributing to the coffee industry. The heart of the article is to celebrate the fact that women are stepping to the forefront of the coffee business and the voice needs to match. Highlighting these women in their success will hopefully encourage women to follow in their footsteps and pursue something new.
I hope this feedback helps you in the next phase of revisions. Please send back the article as I look forward to continuing working with you towards publication at Lifestyle Magazine.
Best,
Savanna Jaggears
No. 6 Academia.
As a communication specialist, I’ve always been drawn to research — the kind that doesn’t just inform, but actually shapes how we understand people, culture, and the world around us. While completing my Master of Arts in Communication at Auburn University, I conducted extensive case studies and research across both qualitative and quantitative methods, exploring areas like public relations, cultural communication, rhetoric, journalism, media studies, and communication theory. What I loved most about this work was the depth — really getting under the surface of how communication functions across different spaces and disciplines, and how meaning is built, shaped, and shared. One of my featured analyses includes a media case study of Darling Media, examining its brand storytelling, audience engagement, and cultural positioning through a communication theory lens. Below, I’ve included two of my favorite research projects that highlight both the range and depth of my academic work. Each includes a brief synopsis, with full research papers available through the links provided.
“The Universal Code of Professional Ethics for Communication Practitioners Project”
I thoroughly enjoyed crafting this piece. I believe it is beautifully written in an academic manner that describes both my passion and research abilities as a communication specialist. Within the pages of this research is what I believe makes an ethical communication practitioner. This research showcases values and ethical standards in which I choose to abide.
“Invitational Rhetoric in Darling Media Messages”
The focus of this analysis is on the components of invitational rhetoric-“an invitation to understanding as a means to create a relationship rooted in equality, immanent value and self determination.” The theory challenges the traditional definition of rhetoric as persuasion. I illuminated any elements of equality, value and safety in Darling media’s messages. Additionally, I analyzed Darling media’s messages to learn the type of atmosphere the messages envelop based on invitational rhetoric's external conditions of safety, value and freedom. These salient aspects of invitational rhetoric are visible in Darling media’s messages, Darling media seems to extend an invitation for women to celebrate their uniqueness. Their approach is to personally refer to their reader’s as “darling,” and explore the complexities of the art of being a woman. The messages encourage women to be authentically the "work of art" they are designed to be, and it is an invitation for women to be free in the complexities of who they are as a female. Through the completion of this rhetorical criticism piece I learned that the usage of invitational rhetoric avails in a variety of messages for women.